Sunday Rewind: Extremely Deep And Incredibly Special
A first-hand look at two ultra rare monsters of the Marianas Trench.
A first-hand look at two ultra rare monsters of the Marianas Trench.
Dive watches are one the most popular categories in the watch world and, without surprises, Baselworld wrapped up with plenty of new models to sate aficionados… If these comply with strict standards, you do not need to be a diver to love these utilitarian tools. They make great daily wearers on the dry land too. Here are some of the best dive watches with 10 models that particularly caught our eye at Baselworld 2019.
Editor’s note: Many (many) times we’re asked to recommend a ‘good’ watch at the roughly $1000 price point. The Tissot Visodate, one of the brand’s staple heritage pieces, is always high on the list. It’s not a new release, but that doesn’t mean it isn’t an incredible piece of kit. Here at Time+Tide we spend a goodly amount of time talking about the latest watch releases. Well, this isn’t one of those times. Instead, today we’re talking about a stone-cold classic that’s as good today as when it was first released – the Tissot Visodate. The Visodate is an historical reissue of a mid-century watch that was novel for its inclusion of – wait for it – the mighty (and occasionally maligned) date window. While these days the date is de rigueur, it’s easy to forget that back in the day it was a big deal. The re-release honours the original not just in the snazzy name but also with a date display that’s deliberate in its style and placement. For me, though, the charm of the Visodate extends well beyond this complication. The case shape, the opaline dial finish, the arrowhead markers. All perfectly on point for a dressy…
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Editor’s note: Few brands have the on-the-wrist presence of a Panerai. Pair that with the futuristic look of Carbotech and you’re onto a winner. Read our review from last year to find out why we love it. At first glance, Panerai’s watches share a reassuring familiarity — large cases, large crown guards and a dial design that puts legibility front and centre. A close look at the catalogue will show that the brand born from its Italian diving heritage has quite a lot of diversity on offer, particularly when it comes to case materials. From bronze to ceramic and (most recently) Bulk Metallic Glass, Panerai has strong form when it comes to material innovation. And today we’re having a closer look at one of the most interesting examples from recent times: Carbotech. Before we talk about the case material, let’s step back for a second and look at the bigger picture. PAM00616 is a 47mm Luminor Submersible, one of the brand’s beefiest cases, good for 300m of depth, and a standout thanks to the solid dive bezel and that patented crown guard. The watch is impressive on the inside, too, with a big P.9000 calibre ticking away, a double-barrelled beauty…
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Seiko’s Baselworld press conference is one of my few must-not-miss appointments, if only for a much-needed dose of humour. But for me, the real star of this year’s affair was Ken Okuyama. Mr Okuyama is an industrial designer with an eponymous studio, who made his name in the world of prestige cars, with a folio including such epic vehicles as the original Honda NSX, the Enzo Ferrari and the Ferrari California. And while much of his career has been spent with some of the great European marques, he’s recently turned his eyes homeward, working on raising the profile and prestige of Japanese and Asian brands. Which is why he’s the creative mind behind the brand new Prospex LX collection. Here are three things that stood out to me about how Mr Okuyama intends to make these watches stand out. “When left alone, heritage becomes antique” Evolution is required to make a modern value for a brand’s heritage. Mr Okuyama reiterated that for luxury brands, design continuity is critical. For all that a Porsche 911 from the ’60s looks the same as one from 2019, they’re completely different objects. The same is true for Seiko’s professional series watches. “Simple, robust and…
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Maybe I’m getting old and grumpy (I am), or maybe it’s a genuine shift driven by the increasing visibility and Instagramability of this hobby/lifestyle choice/money pit we call watch collecting, but I’m noticing an increasing homogeneity in what people are collecting. Steel sports this, royal that, unobtainable the other. Where are the weird, interesting and (most importantly) individual watches? Well, clearly I’m not alone in this, as my Aussie mate Roman has written a piece on just this topic for Scottish Watches (gosh, it’s like a low-key racist joke here — all we need is a bar to walk into). Worth a read, but if you want the TL;DR version – next time you’re heading to a GTG, leave the Sub at home. Read the story here.
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Go fast, climb high, but don’t you dare leave the couch. It’s the weekend, baby, and we did the work for you.
Well, that’s the somewhat provocative title of this piece by Alex Williams, which cites numerous high-profile celebrities wearing high-ticket price vintage pieces as the driver for this ever-rising tide. For people reading T+T regularly, it’s the tale of ever-increasing premiums on seemingly innocuous sports watches. But, to give credence to the bitcoin hook in the title, there’s a healthy dose of qualified scepticism about the skyrocketing investment potential, and the risks that come with the rewards. The most interesting part for me was the coda of models to watch, which included the usual suspects with a few interesting outliers. Are we ready for a Camaro boom? Read the full article here.
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Editor’s note: My first proper manufacture visit wasn’t Switzerland, but Japan. And honestly, the experience has spoiled me. The breadth and scope of Seiko’s watchmaking capacity really is staggering. Read on to find out why … I’ve always liked Seiko. One of the first watches I ever bought was a Black Monster, followed by an ever-rotating roster of rock-solid SKX divers as well as the odd vintage piece, including an original Turtle, a 6139 ‘Pogue’ chronograph (sadly missed) and not one but two 4006-6031 Bell-Matics (neither of which are currently running, but that’s a different story). So when Seiko Australia invited me to tour the company’s Japanese production facilities (wearing an Astron), I jumped at the chance. It’s fair to say I had some pretty solid preconceptions about what I’d experience. I was super-pumped to see the Micro Artists Studio, and Morioka, where Grand Seiko is assembled. Turns out I was not prepared, at all. My ideas about Seiko were not wrong, exactly, but they certainly fell short of capturing the scale of the operation. Day one’s hour-long presentation outlining the corporate structure made that crystal clear. The multiple factory tours and huge rooms full of people and equipped with machinery both modern…
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Editor’s note: Whether you’re a wannabe operator or just in love with the stealth appeal of ceramic, this JLC is pretty much the definition of tacticool, even with the blue details. Based on the coverage of Jaeger-LeCoultre’s SIHH releases, it’d be fair to assume the brand put out nothing but dressy Reversos this year. Well, that’s not true. One of the more under-the-radar releases was a handsome update to the Master Compressor Chronograph Ceramic. Physically and functionally, the new version is unchanged from the 2014 original. It’s still the same imposing black ceramic 46mm case, paired with a technical-looking ‘Trieste’ calfskin strap and utilitarian dial layout. What’s new is the colour scheme. Previously, the Master Compressor Chronograph ran with the ever popular black-on-black with red highlights, but JLC has softened this approach, replacing the red flashes with a navy blue, and adding contrast to the dial, thanks to the pale grey chronograph subdials and minutes disc. And while a fresh coat of paint isn’t the biggest innovation in the world, it’s remarkable the difference it can make. The military feel of the watch is greatly toned down, making it feel lighter, and even more summery. More yacht, less attack helicopter. Aside from the new look,…
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