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Monotone’s the new two-tone.
There are many reasons we love watches. For some it’s their design, for others it’s their historical significance. What really caught my imagination, when I received my grandfather’s 1960s Omega Constellation on my 21st birthday, was that somebody had actually sat, at a workbench and assembled this micro-machine by hand. It blew my mind. Since then I’ve had an unrelenting appreciation for all things made by hand. My admiration only grew, as we dive deeper into a digital world where more often than not we can do things quicker and cheaper. But artisans do things for the passion, not the speed or Price. They opt to do it the way it’s always been done for the pride in the work. And I love that. In the first instalment of our new series: Meet The Makers, I had the privilege of sitting down with the man at the helm of legendary Argentina bootmaker, Germán Fagliano. Enjoy.
There are three things I want in your classic Hollywood blockbuster: big monsters, bad one-liners and quality watch spotting. And from the looks of it, The Meg has all three. And while it’s a movie that’s very much scheduled to tie in with the northern summer, it’s also one that I feel is close to my Australian heart — and no, not because it’s got Ruby Rose in it. But rather … sharks. Big sharks. We Australians have a bit of a weird relationship with animals that can kill us – equal parts fear and pride. And while our land-based snakes and spiders are the stuff of urban (or is that outback) legend, the waters are no less dangerous. First of all, there is absolutely no question that us humans are on their turf, and (literally) out of our element. And it’s not just sharks, there’s also the deceptively-beautiful-but-still-freaking-terrifying Blue-ringed Octopus and Box Jellyfish out there to spike your adrenaline. But it’s sharks, specifically the Great White, that hold a special place in our fears. And while they aren’t a patch on the extinct Megalodon from the film, they’re plenty scary. The Meg clocks in at 23 metres, or 75 feet.…
The post WATCHSPOTTING: Big sharks and surprising watches in The Meg appeared first on Time and Tide Watches.
Following Antonio Calce’s departure a few weeks ago, French luxury group Kering just announced the appointment of Patrick Pruniaux as CEO of its Swiss watchmaking Maisons. Therefore, the current CEO of Ulysse Nardin will now also manage Girard-Perregaux, one of the most prestigious names of the Swiss Haute Horlogerie and guide the brand to meet current challenges.
It’s not unusual to see high-flyers Bell & Ross take inspiration from the world of aviation. In fact, it’s almost expected. However, the latest addition to their “Horo” label does it with a far more “grounded” perspective. Finding its muse in the practical aesthetic of an airport runway. Following on from last year’s three-handed Horolum, the Parisian brand has taken the next logical step and added a chronograph, featuring all the utilitarian styling of the original that’s sure to please the tool watch crowd. Beginning with the brand’s ever-popular BR-03 square case design, the BR 03-94 Horolum uses a 42mm microblasted steel case, with large rectangular pushers on its side to control the chronograph. By microblasting the case with a high-pressure spray of tiny glass beads, Bell & Ross were able to dull down the finish, creating a matt concrete-grey colouring that doesn’t reflect light, an effect that is also matched on its sandwich-style dial. That sees the hour markers of its top metal plate cut out to reveal a healthy dosing of lume – in step with all five hands of the Horolum – that has been applied below. Powering it from within is an ETA-based automatic chronograph movement,…
The post HANDS-ON: The night owl friendly Bell & Ross BR 03-94 Horolum appeared first on Time and Tide Watches.
A unique and quirky watch obsessed with the Sun, the Moon, and you.
A year ago, Bell & Ross introduced the BR 03-92 Diver, the brand’s take on the dive watch. While it was not the first time B&R produces a watch to explore the deep blue sea – some of the earliest models were dive watches (inc. the impressive Hydromax 11000m) – this new watch was the first to mix the iconic square case with proper diving capacities. Utterly different from the rest of the crowd and at the same time genuinely familiar, it was an immediate success. This year, the collection expands with 2 new versions, in blue or in bronze. I spent my summer with the latter and here’s our take on it.
The creative director and Condé Nast veteran has a lot of interesting things to say about…well, everything.
Genuinely different… When re-launched in 2015, the name Czapek made quite an impression, not only because of the watches presented back then but also because of the way the project had been financed. While crowdfunding often refers to affordable pieces, it is here attached to the words “Haute Horlogerie”. Very surprising indeed… This is why, today, we talk to Xavier de Roquemaurel, CEO of Czapek, to understand how the name has been revived, how the project came to life and what the future holds for this independent brand.